The New African Photography

A new series on air on Al Jazeera.

Artscape: The New African Photography” will start on 22, April, 2013 at 22:30GMT.

Series explores the lives of six African photographers through their lens.

Al Jazeera English is to premier “Artscape, The New African Photography” on 22 April 2013, the six part series looks at this fast-changing continent through the eyes of its most acute observers: its photographers.

Few regions remain as photographically misrepresented as Africa, but “The New African Photography” profiles the continent’s latest generation of photographers, who are taking back control of their image with a more nuanced portrayal.

The six episodes are:

1. Invisible Borders (22 April 2013)
Nigerian Emeka Okereke is the founder of Invisible Borders, an annual photographic project that takes African artists on a road trip across the continent. Invisible Borders follows Emeka and fellow Nigerian photographer Lilian Novo on the most recent journey, from Nigeria through Cameroon and Gabon. Emeka says, “Everywhere we go in Africa, we see our generation talking about doing things for themselves. This is the time to actually go in and experiment.”

2.  The Red Dress (29 April 2013)
Barbara Minishi is a leading fashion photographer in Kenya. For her latest project, Barbara swapped skinny models for normal people, photographing a wide range of women all wearing the same red dress, as a symbol of unity and national identity in the aftermath of the 2007 post-election violence in which more than 1 000 Kenyans were killed. Barbara says: “Don’t look at Africa and think one thing. How come this view of Africa is always the soldier or the starving child?”

3. George Osodi (6 May 2013)
Nigerian George Osodi is a former Fuji African Photographer of The Year Award winner who’s also been shortlisted at the Sony World Photography Awards. He’s renowned for his hauntingly beautiful pictures of the oil devastation in the Niger delta.  “I think it’s my responsibility as the man with the camera to find a way to represent this [situation], so that it becomes appealing to whoever sees it. At first sight you’re like, ‘What a beauty,’ but then behind it is a huge Armageddon.” He hopes his latest project, in which he photographs Nigeria’s traditional monarchs, can offer a more positive way forward.

4. Neo Ntsoma (13 May 2013)
South African Neo Ntsoma is the first woman recipient of the CNN African Journalist Award for photography. She revisits DJ Cleo and the stars of South Africa’s new democratic dawn, to take new portraits and discover the effects of 20 years of freedom. Neo moved away from news because she didn’t want to reinforce African stereotypes. “My dream was to be an advertising photographer and take pictures of beautiful things. Black people feeling good about themselves, dressed well. But it was a picture that the apartheid regime didn’t want to show to the world. They wanted to paint black people as barbarians.”

5.  Congolese Dreams (20 May 2013)
Executive produced by Viva Riva director Djo Munga, Congolese Dreams follows photographer Baudouin Mouanda as he explores the idea of marriage in Congo. The Congolese photographer burst onto the global photographic scene with his colourful photographs of Brazzaville members of SAPE (The Society of Tastemakers and Elegant People). As Baudoin says, “Africa will surprise everyone. There are lots of images of war, so I want to show another image of Africa.”

6.  Mario Macilau (27 May 2013)
Emmy-winning documentary director Francois Verster follows former street child Mario Macilau, as he uses photography to investigate the growing gap between rich and poor in Mozambique. “There is no longer a middle class in our country,” says Mario.

Kyotographie

Artists, photographers, curators and venues at Kyotographie.
First edition of a photo festival in Kyoto, Japan. Click the image below.

Ordeal by Roses #32, 1961. © Eikoh Hosoe

Ordeal by Roses #32, 1961. © Eikoh Hosoe

Vintage from Jordan

Amazing vintage advertising photographies from Jordan have been exhibited at the Duke’s Diwan during the Amman Photo Festival 2013.

Photographies by Tufic Yazbek.

Amman

Tufic Yazbek Collection / Collection AIF © Arab Image Foundation

Bees by Zhe Chen

Bees © Zhe Chen. Courtesy by Beaugeste Gallery, Shanghai

Bees © Zhe Chen. Courtesy by Beaugeste Gallery, Shanghai

GC, DF, CSQ, WXD, SQX, LS, HL, ZHF, HL, LY, GYY, ZMT, LTP, LWT, GLW, SY. 
They are the initials of names, women’s names, young chinese women’s names. This book is dedicated to them because – as the artist said – “without their incredible trust and friendship these photographs would not exist”.

They are the “bees” of the eponymous book by Chinese photographer Zhe Chen. The fragile lady bees, the photographer shows the scars, marks, burnt skins, of women that escape from pain through physical self-destruction. The escapee finds several suffering solutions from deep hand-made tattoos or serious body modifications, up to taking a final tragic and fatal solution. Self-injuring is an unknown and hidden subject matter in China, more than in other countries, acknowledge in Japan where the photographer Kosuke Okahara told of a true reality in his Ibasyo black and white work. Zhe Chen, travelling through many cities, focuses on her native country and that world that she knows well from inside.

Many are the reasons of self-injury practices.The book has no titles and no descriptions , only the power of the images ,worthy intentions and personal need allow the photographer to keep a sincere, confident and trusting relationships with the beautiful “bees”. Zhe Chen’s earlier work, The Bearable (2010), is a series of self-portraits concerning her private auto-mutilation experience. So the “bees” group could include also ZC who tells with images more than is possible using words.
Words that in the exhibition currently exhibited at UCCA in Beijing will fly from beehives to open skies.

I talked directly to Zhe Chen asking her about intentions, messages and ultimate aim of the Bees.

Keep going to read on Le Journal de la Photographie.

Zhang Xiao and They

Zhang Xiao is one of the new talent of the Chinese photography and his best known and famous work is “Coastline” among others, it was awarded at the Prix HSBC Pour La Photographie in 2011.

I had an interview with Xiao last year about “Coastline” and that time we also talked about the relationship between this work and his previous one, “They”, I asked him if there was a sort of continuity.
“Like many authors in the past – I am thinking about Berenice Abbott’s Changing New York in 1930s – “Coastline” shows us how your country lanscape is fastly changing . It seems you love to take pictures of the people, so you often observe and analyze them. Even if you are young, how do you feel that the Chinese people are changing? I’m thinking about your series called “They”.

Zhang Xiao: “Yes, but I both like to take pictures of the people and landscape. Because most of the landscape are created by human. The landscape is also a reflection of social issues. There are great changes every day in China since it began opening up 30 years ago. The cities are like big construction sites speeding their construction pace to catch up with the rest of the world. All of this appears particularly oustanding in China’s coastal areas. A multitude of countrymen leave their native place to go there. Urbanization drives continually accelerate growth while people’s spiritual life stay. About “They”, these photos were taken in Chongqing city, Southwest China. I think “They” significance is the same as “Coastline”, only different in its geography”.

Today it’s a good time to talk again to Zhang Xiao. In fact, “They” has become a beautiful hardcover book with…

Keep going to read on Le Journal de la Photographie.

Zhang Xiao Le Journal de la Photographie

Chinese Amateurs

Thomas Sauvin is a Beijing-based French artist and editor who is also a photography collector.

Often collectioning is the symptom of an obsession that grows systematically day after days , it needs passion, dedication, perseverance and just a little bit of something crazy, like that little thing called love. If you want it, you have to look for it, even if there is the risk that it will turn into an everending search, that can be unsuccessfull too. Thomas Sauvin found it, but he’s still searching. Sometimes it’s difficult to say when a collection may be considered complete, specially for those collections whose desired objects are unlimited.

This is a very tiny part of… read more here.

Thomas Sauvin

©Thomas Sauvin

Rangsit Photo Festival 2013

For the first time since its establishment in 1990, Rangsit University – a high ranked private educational institution in Patum Thani, Bangkok, focused mainly on science, technology, design and management – has organized a festival dedicated to photography: the Rangsit Photo Festival 2013.

The department of photography of the Faculty of Arts and Design has curated…

read more here.
Originally written for Le Journal de la Photographie

Burqa Series © Ampannee Satoh

Burqa Series © Ampannee Satoh